Overview
Making music engaging and accessible for young minds through the use of beatboxing and musical improvisation
World-renowned beatboxer and human sound machine Tom Thum has teamed up with harmony wizard and keys-sensation Tnee Dyer to give you the cheat codes to turn any sound into music.
Get ready to transform everyday noises into mind-blowing beats to turn your world into a rhythm playground. Witness beat-building in action against a dynamic visual aesthetic.
Blast the noise-o-metre, drop samples into the golden mic, and dive deep into your voice box to discover a whole new world of sound – with full permission granted to turn up the volume on your creativity.
Curriculum Links
This performance aligns with the Australian Curriculum by embedding key concepts from Music, Mathematics, Science and English into an engaging, arts-based experience. Through beatboxing and improvisation, students explore pattern, frequency, rhythm, language and sound in embodied and accessible ways, supporting both conceptual understanding and creative expression.
The Arts: Music (Years 5–6)
- AC9AMU6E01 – Explore and express ideas using sound and musical elements
Link:Students experiment with beatboxing techniques to create, manipulate and combine sounds, exploring rhythm, tempo and dynamics - AC9AMU6D01 – Develop and present music, communicating ideas to an audience
Link: Students create and perform rhythmic compositions using voice and body percussion, applying structure and expressive intent. - AC9AMU6C01 - Manipulate elements of music and use compositional devices to communicate ideas, perspectives and/or meaning when composing and practising music for performance, and notate, document and/or record the music they compose
The Arts: Music (Years 7–8)
- AC9AMU8E01 – Explore and manipulate musical elements and compositional devices
Link: Students refine beatboxing techniques, layering rhythm, texture and dynamics to build complex soundscapes. - AC9AMU8D01 – Develop and practise listening/aural skills and vocal and/or instrumental skills/techniques for manipulating elements of music to achieve expressive effects
Link: Students structure and perform improvised or composed vocal pieces, demonstrating control, timing and expressive intent. - AC9M5N03 – Interpret, compare and order fractions
Link: Dividing beats into fractional parts (½, ¼, ⅛) through rhythm construction. - AC9M5A01 – Recognise and describe patterns and relationships
Link: Creating and repeating beat loops and rhythmic sequences. - AC9M5M03 – Solve problems involving the measurement of time
Link: Understanding tempo (beats per minute) and maintaining pulse. - AC9M5ST02 – Interpret and compare data displays
Link: Representing sound levels or rhythm patterns (e.g. “noise-o-metre”).
Mathematics (Year 7)
- AC9M7N04 – Use ratios and rates to solve problems
Link: Tempo as beats per minute; comparing rhythmic speeds. - AC9M7A01 – Use algebraic expressions to represent pattern
Link: Structuring beat sequences (e.g. A–B–A–B forms).
Science (Year 5)
- AC9S5U03 – Investigate how light and sound are produced and travel
Link: Demonstrating sound as vibration through beatboxing.
Science (Year 7)
- AC9S7U04 – Describe the characteristics of waves and how they transfer energy
Link: Pitch (frequency) and volume (amplitude) explored through vocal sound. - AC9S7I02 – Plan and conduct investigations
Link: Experimenting with vocal techniques to test sound variation. - AC9S7I06 – Communicate scientific ideas
Link: Explaining how beatboxing produces different sound effects.
English (Year 5)
- AC9E5LY02 – Use interaction skills to contribute to discussions
Link: Collaborative rhythm-making and group improvisation. - AC9E5LY05 – Use language features to create coherence and add detail
Link: Applying rhythm, rhyme and sound patterning in spoken performance. - AC9E5LY06 – Create spoken and multimodal texts
Link: Developing beat-based vocal compositions and performances.
English (Year 7)
- AC9E7LY02 – Use interaction skills for collaborative discussions
Link: Group improvisation and performance development. - AC9E7LY05 – Create and deliver spoken and multimodal texts
Link: Beatboxing as performance text combining rhythm and voice. - AC9E7LA07 – Understand how language features vary for effect
Link: Using rhythm, pacing and sound to engage audiences.
Learning Resources
Learning resources are coming soon.
Extend the Experience
The below activities for students are part of the Interdisciplinary Learning Program and are designed to extend the experience beyond the performance. Book these via the Creative Learning Enquiry form.
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Permission to Dance - Street Dance Workshop23 Jul 2026, 11:30am | Melbourne Street GreenA workshop designed to deepen students’ understanding of the relationship between music and movement. -
Permission to Create - Music Technology Workshop23 Jul 2026, 11:30am | Playhouse LoungeThis interactive session explores beat-making, sounddesign and the use of technology in contemporary performance.
Plan Your Visit
Gallery
Creatives
- Composer & Cast Tom Thum
- Composer & Cast Tnee Dyer
- Executive Producer Nigel Lavender
- Director & Dramaturg Jason Klarwein
Meet the Creatives
Tom Thum
Amassing over half a billion combined plays, Tom Thum’s pedigree in the world of beat boxing is unrivalled. After witnessing a Tom Thum show, you’d swear there’s a symphony orchestra, jazz band, techno DJ, 80’s synth pop group and collection of exotic world instruments all residing somewhere in his throat. Propelled to Internet stardom with his 2013 TEDx performance at the Sydney Opera House, Tom’s 15-minute live beat-box enodscopy showcase quickly became the highest-viewed TEDx video of all time, with over 75+ million views and counting.
As an ever-evolving artist, Tom’s finger is constantly on the pulse for new creations that are more often than not, bordering on the unimaginable.
Tnee Dyer
Antony “Tnee” Dyer is a performer, jazz pianist, musical director, educator and video producer whose career has been shaped by years on stage leading bands, collaborating with artists, and crafting live experiences that connect deeply with audiences. Grounded in improvisation and ensemble work, his jazz background informs a sharp instinct for timing, structure and emotional flow.
Alongside his performing career, Tnee is a creative producer and co-founder of Raw Mint, a video production studio specialising in cinematic, story-driven content. He brings a performer’s sensibility to the screen, translating musicality into visuals through pacing, rhythm and narrative clarity.
Nigel Lavender
Nigel Lavender is best-known in Australia for his tenure (2008-18) as Executive Director of Queensland Music Festival, but his career journey in the UK and Australia has encompassed Producing, Venue management, Touring, Board membership and facilitation, Funding administration and Peer Assessment, Strategic Planning, Arts & Disability, Arts & Mental Health, and Arts in Education.
Nigel founded Momentum Arts in 2019; recent projects include development of PERMISSION GRANTED, Executive Producer for SWEET CHARITY (QPAC), and design and delivery of the FESTIVAL OF CARE at Queensland Children's Hospital, Brisbane. Nigel has been Chair of Queensland’s State Performing Arts Awards, the Matilda’s, since June 2025.
Jason Klarwein
Jason Klarwein is one of Australia’s most respected theatre artists — an actor, director, producer and arts leader whose work bridges performance, creation and community engagement. He has built a rich career working with major companies including Queensland Theatre, Sydney Theatre Company, Belvoir, Bell Shakespeare, La Boîte and Black Swan Theatre, and has appeared on stage in demanding roles such as Macbeth and Once in Royal David’s City.
Jason’s versatility extends to screen, with credits in television series including Sea Patrol, Cybergirl and the award-winning Devil’s Playground, as well as roles in film. He has been recognised with early Matilda Awards and a Helpmann Award nomination for Best Actor.