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Acknowledgement of Traditional Custodians

We pay our respects to the Aboriginal and Torres Strait Islander ancestors of this land, their spirits and their legacy. The foundations laid by these ancestors give strength, inspiration and courage to current and future generations, both First Nations and non-First Nations peoples, towards creating a better Queensland.

  • …
  • What’s On
  • 2026
  • The Other Side of Me
The Other Side of MeImage credits: Cheeky Chandler & Alex Abbot, photograph by Paz Tassone.
  • Dance
  • First Nations
  • Creative Learning

fntheothersideofme26 The Other Side of Me QPAC, BlakDance Company Dance, First Nations, Creative Learning Gary Lang NT Dance Company The Other Side of Me

27 - 28 Feb 2026
Cremorne Theatre
Buy Tickets
$49 *
* A transaction fee of $7.50 applies.
1 hour
No interval, includes a 45 minute performance and a 15 minute Q&A, subject to change without notice

Overview

The Other Side of Me translates into dance the true-life story of a young Aboriginal man, born in the 1960s in the Northern Territory, adopted by a white English family and raised in the United Kingdom. Drawing on a collection of personal letters and poems, it offers insights into the mind of a man re-evaluating his life and trying to come to terms with his First Nations Australian origins from the other side of the world.

Choreographed by industry leader and Larrakia man Gary Lang, this international, cross-cultural collaboration with Northumbria University (UK) communicates a story of the Stolen Generations’ trauma and poses questions about relationships between country of origin, identity, adoption, the criminal justice system and psychological health.

  • ★★★★⯪
    ... a tough story, powerfully told.
    Artshub
  • A mesmerising work that is performed with dazzling virtuosity ...
    Stage Whispers
  • ... packs an emotional punch from the first to last moments of the show.
    Kate Fell Artistic Director – Darwin Festival
  • I was absolutely mesmerised and moved beyond words.
    Miranda Tetlow ABC Radio, Darwin
  • Amazing – uncomfortable feelings yes. But the ones that are so necessary to sit with.
    Audience Member
  • As a child of the Stolen Generation, I have never seen a performance that spoke of my life and experience so clearly. I felt seen and deeply affected.
    Audience Member

The story is based on actual events. However, names, incidents and timelines have been changed for dramatic purposes. All characters depicted in the production are composites or fictitious. Any similarity to the original story, or of fictitious characters to an actual person, living or dead, is coincidental and unintentional.

Creative Learning Program

The Other Side of Me is part of QPAC's new Creative Learning program, that brings learning to life through creative and transformative learning experiences that promote access, inclusion and cultural equity. 

Curriculum Connections

CROSS CURRICULUM PRIORITIES:
Aboriginal & Torres Strait Islander histories and cultures

GENERAL CAPABILITIES:
Ethical Understanding, Literacy, Critical & Creative Thinking, Personal & Social Capability

General Senior Syllabi

Aboriginal & Torres Strait Islander Studies (years 11-12)
Unit 2: Continuity, change and influences - Students investigate the different ways that Aboriginal societies and Torres Strait Islander societies responded to contact, invasion and colonisation.

  • Analyse viewpoints and perspectives to explain the values and beliefs that had impacts on and influenced the cultures and identities of Aboriginal societies and Torres Strait Islander societies during periods of change.

Senior Dance syllabus (years 11- 12)
Unit 3: Moving Statements - How are technical and expressive skills used to communicate social, political or cultural viewpoints to an audience?

  • Students will investigate how choreographers use dance to communicate a viewpoint, in a social, political or cultural context, to an audience.
  • Students will expand their knowledge and understanding of how a choreographer’s life experiences influence the subject matter of their dance works and their choreographic processes.

Senior Drama syllabus (years 11- 12)
Unit 1: Share - How does drama promote shared understandings of human experience?

  • Students explore the importance of drama as a means to tell stories and share understandings of the human experience in a range of cultures.

Senior English syllabus (years 11- 12)
Unit 2: Texts and Culture - Responding to texts, students analyse the relationship between language, representation, identity and cultural context, uncovering cultural assumptions, attitudes, values and beliefs that underpin texts.

  • Consider how various texts reflect or challenge social and cultural perspectives.

Senior Drama syllabus (years 11- 12)
Unit 1: Share - How does drama promote shared understandings of human experience?

  • Students explore the importance of drama as a means to tell stories and share understandings of the human experience in a range of cultures.

 

The Arts

The Arts Curriculum v9.0

Dance – Year 9 & 10
Exploring and responding
AC9ADA10E01 - investigate performers’ and/or choreographers’ use of elements of dance, choreographic devices, genre- or style-specific techniques, conventions and/or production elements to communicate. and/or challenge ideas, perspectives and/or meaning in dance across cultures, times, places and/or other contexts.

Drama – Year 9 & 10
Exploring and responding
AC9ADR10E01 - investigate use of elements of drama, performance skills and/or conventions to communicate and/or challenge ideas, perspectives and/or meaning in drama across cultures, times, places and/or other contexts.

English - Year 10
LANGUAGE
AC9E10LA07 - evaluate the features of still and moving images, and the effects of those choices on representations.

LITERATURE
AC9E10LE03 - analyse how the aesthetic qualities associated with text structures, language features, literary devices and visual features, and the context in which these texts are experienced, influence audience response
AC9E10LE07 - analyse and evaluate the aesthetic qualities of texts.

LITERACY
AC9E10LY01 - analyse and evaluate how people, places, events and concepts are represented in texts and reflect context.

Important Information

Q&A

Each performance will conclude with a facilitated Q&A featuring the choreographer and artists.

Cultural Content Advisory

This production contains references to the Stolen Generation. Aboriginal and Torres Strait Islander audiences are advised this production references people who have passed away.

Warning

This production contains coarse language and haze.  

Age Recommendation

Recommended for ages 15+. 

Drinks Inside the Theatre

No alcohol permitted inside the theatre during this performance.

Cremorne Theatre Visual and Sensory Guide

The Cremorne Theatre Visual and Sensory Guide [PDF, 2 MB] provides information on what you can expect while visiting QPAC.

Official ticketing service for QPAC

QTIX is our official ticketing service with selected packages sold through authorised resellers only. Read more about purchasing tickets online.

Concession

Pensioners and companion card holders.

Bring your group to the theatre and receive assistance with available seating allocation.

Make a group booking

Book your school group and receive assistance with available seating allocation.

Make a school booking

Gallery

  • The Other Side of MeImage credits: Cheeky Chandler & Alex Abbot, photograph by Paz Tassone.
  • The Other Side of MeImage credits: Cheeky Chandler & Alex Abbot, photograph by Paz Tassone.
  • The Other Side of MeImage credits: Cheeky Chandler & Alex Abbot, photograph by Paz Tassone.
  • The Other Side of MeImage credits: Cheeky Chandler & Alex Abbot, photograph by Paz Tassone.
  • The Other Side of MeImage credits: Cheeky Chandler & Alex Abbot, photograph by Paz Tassone.

Creatives

  • Co-Creator, Choreographer, Director Gary Lang, Larrakia
  • Cultural Consultant, Songman Banula Marika, Yolŋu
  • Co-Creator, Dramaturg, Writer Laura Fish
  • Co-Creator, Dramaturg Liz Pavey
  • Cultural Consultant Josephine Crawshaw, Kalkarindji
  • Cultural Consultant Jesse Norris, Torres Strait Island descendent
  • Voice Artist Janet Munyarryun, Yolŋu
  • Sound Designer Arian Pearson, Yolŋu
  • Rehearsal Director Noelle Shader
  • Performer Chandler Connell, Wiradjuri and Ngunnawal
  • Performer Alexander Abbot
  • Lighting Designer Joseph Mercurio
  • Costume Designer Jennifer Irwin
  • Composer/Sound Designer Samuel Pankhurst
  • Projection Designer Samuel James
  • Producer BlakDance

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